Essentia
Volume 4 Spring 1983
Cover: Flora; Siegbert Hahn, Cologne/Germany
Exemplar - Siegbert Hahn
Opinion on Paracelsus - H.R.H. The Prince Of Wales
Process for the Extraction of Oil of Iron
The Body Spectrum
Nonsense in Metaphysics
Musical Logic
Book Reviews - Attic Poems of an Emmigrant - Pharmacopoeia Londinensis
Questions and Answers
Siegbert Hahn
Among the thousands of accomplished persons within the arts a certain degree of achievements is noticeable and thus gives recognition of results above the average. However, there is another category of artists that have achieved recognition that exalts them above their former peers. These are not numerous but outstanding. In music, sculpture and painting this becomes very noticeable. A distinct individualistic expression characterizes such individuals. In surealisticpaintings names like Hicronymus Bosch and Salvatore Dali are noteworthy. The former master from the Netherlands and the latter from Spain in our own times, are now joined by another of German birth, Siegbert Halin, whose works speak for themselves. Not only the precise craftsmanship but the unusual themes and concepts of a vivid imagination reveal a great artist!
Our cover picture has been selected among the many paintings because it reveals what the title of the painting indicates, "Flora". Self taught Siegbert Hahn deserves special recognition as a great talented artist who has much more to give to the world, as the future will show. This prediction is well founded upon the evidence available.
Siegbert Hahn's acquaintanceship with painting began when he was a child. His mother was an enthusiastic amateur and painted naive pictures in her spare time. When he was sixteen, he discovered the fascinating world of museums, which, in his own words, opened up for him a realm of explorations and adventure. For hours at a time, especially during the school vacation, he would wander through the museums and art exhibitions in Berlin, where he soon was a wellknown and welcome young visitor. At this time he also began to take photographs. Photography offered him the opportunity he was looking for to engage in some kind of creative activity. He won several awards in competitions for young photographers.
He graduated from High School in 1957 and went to work for a film company having decided to make film producing his profession. For almost three years he worked as a production and camera assistant. Through this job he had plenty of opportunity to travel, on one occasion spending weeks accompanying deep-sea fisherman on a trip through the Soviet Union and China.
At twenty, he produced his first oil paintings. A year later, in 1959, after some tentative attempts, came his first "fantastic" paintings. They bear already, as can be seen, the unmistakable mark of his kind, as it has remained unaltered up to the present time.
He painted in the evenings after work and at weekends. His work with the film company and other occupations began to take on the character of necessary encumbrances, a means to earn the leisure to devote to his painting.
For the same reason, his art history studies at the Cologne University, which have undoutedly left their fruitful mark, were not able to satisfy him. All the time he was painting on the side and finding here his real fulfillment. His first one-man exhibition in Paris in 1963 brought him considerable success, and participation in a further exhibition in Paris in 1963 and in further exhibitions earned him recognition. This finally gave him the courage to break off his university studies and to devote himself entirely to painting.
Siegbert Hahn does not sketch a painting. He quickly developed an increasing skill in the handling of color and canvas. A comparison of his early pictures with the later ones reveals interesting developments.
The idea for a picture, by his own account, materializes suddenly in his imagination. He sees the finished painting in front of him, in color and in clear outlines. An idea, he says can quite literally pursue him.
Siegbert Hahn does not sketch a painting first, in the sense of getting the outlines down and then filling them in with color. He lays the color directly on to the canvas. Working from the background, the objects in the middle and foreground are painted on with further layers of color. Since each of these coats, depending on how they are applied, takes from several days to some weeks to dry, he works on several paintings at the same time.
Siegbert Hahn's work is already voluminous. His paintings hang in many private collections in Europe, the USA and Canada.
OPINION on PARACELSUS
From a speech made by H. R. H. The Prince of Wales at the British Medical Association, Jan. 1983.
I have often thought that one of the less attractive traits of various professional bodies and institutions is the deeply ingrained suspicion and outright hostility which can exist towards anything unorthodox or unconventional. I suppose it is inevitable that something which is different should arouse strong feelings on the part of the majority whose conventional wisdom is being challenged or, in a more social sense, whose way of life and customs are being insulted by something rather alien. I suppose, too,, that human nature is such that we are frequently prevented from seeing that what is taken for today's unorthodoxy is probably going to be tomorrow's convention. Perhaps we just have to accept it is God's will that the unorthodox individual is doomed years of frustration, ridicule and failure in order to act out his role in the scheme of things, until his day arrives and mankind is ready to receive his message; a message which he probably finds hard to explain himself, but
which he knows comes from a far
deeper source than conscious thought.
The renowned 16th century healer,
Paracelsus, was just such an individual.
He is probably remembered more for
his fight against orthodoxy than for
his achievements in the medical field.
As a result of his unorthodox approach
to medicine in his time he was equated
with the damnable Dr. Faustus. Of
the barbers, surgeons and pharmacists
he complained that "they begrudge
the honour I won healing Princes and
noblement and they say my powers
come from the devil!' And yet in his
day and age he was operating as a one
man British Medical Association, crit
icizing the abuse amongst pharmacists
and attacking the quack remedies -
vipers' blood powder, unicorn horn,
and so on. In 1527, by an act of which
I am sure today's younger doctors
would be proud, he burnt the famous
textbook of medieval medicine, the
Canon of Avicenna, which became a
symbol of rebellion against pedantry
and unthinking acceptance of ancient
doctrines.
Paracelsus believed that the good
doctor's therapeutic success largely depends
on his ability to inspire the patient with
confidence and to mobilize his will to health.
I know that there are a considerable number of doctors who operate by these kinds of basic principles, because several have written to me, but nevertheless the modem science of medicine still tends to be based, as George Engel writes, "on the notion of the body as a machine, of disease as the consequence of breakdown of the machine, and of the doctor's task as repairer of the machine." By concentrating on smaller and smaller fragments of the body, modem medicine perhaps loses sight of the patient as a whole human being, and by reducing health to mechanical functioning it is no longer able to deal with the phenomenon of healing,
And here I come back to my original point. The term "healer" is viewed with suspicion and the concepts of health and healing are probably not generally discussed enough in medical schools. But to reincorporate the notion of healing into the practice of medicine does not nesessarily mean that medical science will have to be less scientific.
No one of course could be stupid enough to deny the enormous benefits which the advances of medical science in this century have conferred upon us all. But nevertheless the fact remains that contemporary medicine as a whole tends to be fascinated by the objective, statistical, computerized approach to the healing of the sick. If disease is regarded as an objective problem isolated from all personal factors, then surgery plus more and more powerful drugs must be the answer. Already the cost of drugs supplied to patients by the National Health Service alone is well over 12,000 million a year. It is frightening how dependent upon drugs we are all becoming and how easy it is for doctors to prescribe them as the universal panacea for our ills.
The last word on this subject remains with Paracelsus, whose name should be synonymous with the common health, which I have been asked to toast this evening. With all the conviction of a man who follows his inner voice, he made a desperate supplication that "would we humans knew our hearts in truth, nothing on earth would be impossible for us."
Process for the the Extraction of Oil of Iron
By Baron ANDREA MAZZARIO,
Ph.D. Some natural Pyrite must be finely ground to a light powder.
The powdered Pyrite is then dissolved in nitric (HN03). The acid should not be diluted too much. Care must be taken because the reaction generates heat: it is therefore slow at the beginning but increases in speed with time, generating a lot of foam that may pour out of the container (ACID)! 'The reaction generates also brown colored poisonous nitrous gases: it has to be conducted in open space or under fume hood. The solution of the Pyrite is never complete: some sulphur and some impurities of the mineral remain undissolved.
The acid solution is filtered. In this way a brown-reddish liquid is obtained.
The Iron is then precipitated from the solution with Ammonium Carbonate. This may be used (with caution) in powdered form: it will dissolve while generating some gas and will slowly neutralize the acidity of the solution. When the solution becomes basic, the Iron will start to precipitate as Iron Hydroxide (Fe 0H3). this process is similar to the precipitation of Kermes, but there is no generation of dangerous gases like Hydrogen Sulphide.
The Iron Precipitate has to be allowed time to settle, be decanted, filtered and washed. The final dry powder(reddish-brown, mostly Iron Hydoxide (Fe OH3) is then used for the extraction.
The menstruum used for the extraction is commercial acetone. In order to obtain better results it may be "sharpened" by digestion with (NH4Cl). This digestion (taking some weeks) will give the acetone a yelloworange color. Clear acetone must be obtained from the yellow one by distillation. This clear one may then be used for the extraction.
The extraction for the Oil of Iron
may be done using a soxhlet extractor or by simple digestion of the Iron Hydroxide with Acetone. Different speeds were observed in the coloring of the tincture: in one instance the acetone was already light orange after the first pouring in the Soxhlet, in another instance, almost no color was noticable after one full week of extraction.
After the extraction or digestion,
the menstruum must be filtered and
the acetone must be distilled out of it. If this process is done in a water bath (at best in a Rotavapor) it will be noticed that a relevant part of the menstruum will not distil] over, even when the menstruum was not deeply colored.
The oily substance that does not distill over is an immature oil of iron. It may be ripened by digestion with Iron Hydroxide, or by circulation. By ripening, the substance will become deeper in color and more oily.
After this ripening process the oily substance has to be filtered again. The most volatile portion of it should be distilled with the help of vacuum. What remains is a deep red oil that floats on water and is dissolved by alcohol.
Under vacuum, with higher temperature (ca. 200oC) and using a retort, a lighter red oil may be distilled over from the red oil obtained preceedingly, leaving back a resinous red substance. More oil may be obtained by digesting this resinous substance with alcohol.
The oil has a strong scent. When it is digested and cleaned different times with alcohol it gets a more pleasant sweet flavor.
Prof. University
of
Minitoka
LEVELS of ORGANIZATION | THE SCIENCES | |
(1) Atoms | Atomic Physics | |
(2) DNA | Chemistry | |
(3) Genes | Genetics | Biochemistry |
(4) Chromosomes | Cell-Physiology | |
(5) Cells | Histology | |
(6) Organs | Physiology | |
(7) Body | Anatomy | Biology |
LEVELS of ORGANIZATION | SUBSTANCE SIZES | ELECTROMAGNETIC WAVE LENGTHS |
(1) Atoms | .000,000,1 mm | Hard X-ray |
(2) DNA | .000,002 mm | Soft X-ray |
(3) Genes | .000,01 mm | Ultraviolet |
(4) Chromosomes | .000,5 mm | Visible Light |
(5) Cells | .02 mm | Infra Red Light |
(6) Organs | 100 mm | Microwave |
(7) Body | 1.7 M | Radiowave |